Join us this Sunday as we continue in our series in Paul's letter to the Philippians - "Joy in Trying Times." This Sunday we'll take a step back from the letter to look at the origins of the church in Philippi. In Acts 16 we get a unique view into what the Lord did to start this church. Here are the songs we'll sing together:
1. HOW GREAT THOU ART
Style: We will be blending traditional and contemporary elements in this song. The melody and chords will be the familiar, traditional arrangement though we will play this song a bit more up-tempo with an alt-country feel.
Song Info: This well known hymn has a long translation history. It is based on a poem written in Swedish, then translated into German, then into Russian, then into English from the Russian. Stuart K Hine is responsible for the English version that we all know, which originated in 1949. The melody is a traditional Swedish melody. This hymn is one of the most popular of all time, second only to Amazing Grace.
This hymn makes an excellent call to worship because it is all about approaching God with an attitude of praise and thanksgiving. We are taught in Scripture to come into his presence of God with praise and thanksgiving before we come with requests or even confession of sin.
2. I BELIEVE IN GOD THE FATHER
Style: This hymn has been around in various forms for a long time. The tune itself is a popular Sacred Harp tune from 1844 - Beech Spring. It has a Celtic or Appalachian sound and is mellow and prayerful.
Song Info: This particular arrangement was produced recently by Daniel Justice Snoke and released on a Cardiphonia compilation. The lyrics are a stylized version of the Apostles' Creed. From early times the church has considered the Apostles' Creed to be a full yet succinct definition of the gospel. We don't normally think of it as a proclamation of the gospel because it contains much more than just the cross and resurrection.
But in the Heidelberg Catechism, a revered reformation document, Question 22 asks: "What then must a Christian believe?" Answer: "Everything God promises us in the gospel. That gospel is summarized for us in the articles of our Christian faith -- a creed beyond doubt, and confessed throughout the world." The Catechism goes on to cite and unpack the entirety of the Apostles' Creed.
3. PASS ME NOT O GENTLE SAVIOR
Style: Our version will be easily recognized as the traditional melody, though we will play it in the style of Red Mountain Band with a more southern, alt-country feel. It will be mid-tempo.
Song Info: This hymn was originally written by Fanny Crosby in 1868. Crosby is one of the most famous and beloved hymn writers of the past 200 years. This song has been widely covered in its history by artists that include Bob Dylan and MC Hammer. In this song we entreat the Savior to help us, not to pass us by. This is an appropriate song for this moment in worship because after we have acknowledged God for his goodness we are turning to reflect on our own brokenness and sinful response to God. We are beginning to detect our need for a savior. As we sing this song we ought to attempt to cast off all other helps and false saviors that we turn to in order to absolve ourselves of sin. We should turn to Jesus, the true savior, and pray for his help.
4. ALAS! AND DID MY SAVIOR BLEED?
Style: We will be playing the traditional version of this hymn. It is lo-tempo and contemplative.
Song Info: There seem to be hundreds of version of this hymn out there. The lyrics are so powerful that it has been covered and re-arranged by several artists. Yet the traditional hymn was written by Isaac Watts (lyrics) and Hugh Wilson (music) in the 18th century. This tune fits well at this point in the service because it causes us to meditate on our sinful condition before the Lord. Here we move from rejoicing in the Lord and his goodness in creation to our sinful response to God. Though God has showered infinite grace upon us in making us in his image, we have repaid him by rebelling against his rule in our lives. Yet this song is also about God's surprising mercy in sending his own Son to come as man and die for our rebellion.
5. O LOVE THAT WILL NOT LET ME GO
Style: We will be singing a more contemporary version of this song arranged by Indelible Grace. It is up-tempo and joyful with a folk-rock feel.
Song Info: The lyrics to this hymn were written in the nineteenth century by Scottish minister and hymn writer George Matheson. Though Matheson wrote several hymns, this is the only one that still enjoys popularity today. Matheson wrote this hymn on the eve of his sister's wedding. Matheson had previously been engaged himself, but his engagement was ended because he was going blind. His bride-to-be decided that she could not live the rest of her life with a blind man and broke the engagement. After that time he was cared for by his sister. But he wrote this hymn at a time when his sister would be married and no longer able to be his primary care taker. Emotionally, Matheson looked to God himself as his care taker. He said that he wrote this hymn in the time frame of five minutes.
See you Sunday!