Join us this Sunday as we continue in our series in Matthew. Last week we began looking at the Sermon on the Mount and we will continue this week by looking at the Beatitudes (Matt 5:1-10). To view our full liturgy click here. Here are the songs that we'll sing together:
1. REJOICE (COME AND STAND BEFORE YOUR MAKER)
Style: This is a contemporary, up-tempo song that is perfect for a call to worship.
Song Info: This song was written as a collaborative effort between two of my favorite worship artists: Stuart Townend and Dustin Kensrue. It first appeared on Kensrue's 2013 album The Water and the Blood - in my opinion one of the greatest modern worship albums released in a long time. This song calls us to rejoice in the Lord, our maker. It leads us to sing and meditate on God's infinite perfections. It's appropriate here because we should come to God first with praise and adoration. Before we confess our sin, before we acknowledge our needs, before we make any requests we ought to first praise God and adore him for who he is.
2. ONLY YOUR BLOOD IS ENOUGH
Style: This is a contemporary and mid-tempo song. It has an indie-rock feel.
Song Info: This song was produced as part of a collection that Sojourn Church produced of re-tooled Isaac Watts hymns. Though this song is unique enough to be considered original, it is adapted from Isaac Watt's Psalm 51 Part 2. The lyrics and music were written by Neil Robins and it was released onOver the Grave in 2009. This song is appropriate at this point in the service because it recognizes the need for a savior. We have sung about God's goodness, our sin, and now we will sing about our need for a savior. As the song says: "No bleeding bird, no bleeding beast, no hyssop branch, no priest, no running brook, no flood, no sea can wash away this stain from me. Only your blood is enough to cover my sin." Here, with an eye on our sin, we ought to prepare our hearts to hear the sermon and to hear about the hope we have in the gospel of Christ.
3. Hail to the Lord's Anointed
Style: We are playing a contemporary, alt-country version of this old hymn/psalm. It is up-tempo and joyful.
Song info: The lyrics to this tune were originally composed by Scottish poet, hymn-writer, and activist James Montgomery in 1822. His original lyrics are almost entirely preserved, although slightly altered, by Sandra McCracken in this version that we are singing. She also set the words to new music which she composed. Montgomery's words were based heavily on Psalm 72 and in many Psalters this song is associated with Psalm 72.
Psalm 72 is a Royal Psalm written by King David for his son Solomon. It is a plea for God to give his justice and wisdom to the king so that the reign of the king might bring forth equity and prosperity on earth. This Psalm can be applied to Jesus as "great David's greater son", who is God's anointed king forever. Hail to the Lord's anointed!
4. LET ALL MORTAL FLESH KEEP SILENCE
Style: We will play the traditional version of this hymn. It is a slow tempo.
Song Info: This hymn, in one way or another, dates back to the fifth century. It is one of the oldest surviving Christian hymns, possibly dating even earlier to AD 275. It was originally written in Greek to be a eucharistic hymn. Though it has come to be recognized as a Christmas song, it's true emphasis is on the Lord's Supper. That's why we'll sing it on Sunday before celebrating the sacrament. We will also likely sing it at other times of the year, as well.
5. HALLELUJAH! WHAT A SAVIOR (MAN OF SORROWS)
Style: We will play this song in its traditional style. It is low to mid-tempo but done in a major key, having lots of energy, and with a very triumphant feel. The style of this song reminds me of classic gospel music.
Song Info: This song was composed in the mid nineteenth century by Philip P. Bliss. Bliss was a music teacher, evangelist, and hymn writer from the Ohio and Pennsylvania areas. He was responsible for composing many famous hymns including the melody for It Is Well With My Soul. The lyrics to this particular song have had an abiding power in the Christian world since they were penned. The title for JI Packer and Mark Dever's recent book on the atonement - "In My Place Condemned He Stood" - was lifted right from the lines of this hymn.
The subject matter of this song focuses on the cross and the humility of Christ, our king. As the song reflects on the humility and servanthood of Christ to suffer for our sins it continually returns to the anthem: Hallelujah! What a savior! It's appropriate at this moment in worship because we are turning from praising God for his goodness to recognizing our own sinfulness and need for a great savior.
See you Sunday!