Join us this Sunday as we continue in our series in Exodus. This Sunday we arrive at Exodus 6 - "God Makes a Name for Himself". Here are the songs we'll sing together:
1. HOW GREAT THOU ART
Style: We will be blending traditional and contemporary elements in this song. The melody and chords will be the familiar, traditional arrangement though we will play this song a bit more up-tempo with an alt-country feel.
Song Info: This well known hymn has a long translation history. It is based on a poem written in Swedish, then translated into German, then into Russian, then into English from the Russian. Stuart K Hine is responsible for the English version that we all know, which originated in 1949. The melody is a traditional Swedish melody. This hymn is one of the most popular of all time, second only to Amazing Grace.
This hymn makes an excellent call to worship because it is all about approaching God with an attitude of praise and thanksgiving. We are taught in Scripture to come into his presence of God with praise and thanksgiving before we come with requests or even confession of sin.
2. I BELIEVE IN GOD THE FATHER
Style: This hymn has been around in various forms for a long time. The tune itself is a popular Sacred Harp tune from 1844 - Beech Spring. It has a Celtic or Appalachian sound and is mellow and prayerful.
Song Info: This particular arrangement was produced recently by Daniel Justice Snoke and released on a Cardiphonia compilation. The lyrics are a stylized version of the Apostles' Creed. From early times the church has considered the Apostles' Creed to be a full yet succinct definition of the gospel. We don't normally think of it as a proclamation of the gospel because it contains much more than just the cross and resurrection.
But in the Heidelberg Catechism, a revered reformation document, Question 22 asks: "What then must a Christian believe?" Answer: "Everything God promises us in the gospel. That gospel is summarized for us in the articles of our Christian faith -- a creed beyond doubt, and confessed throughout the world." The Catechism goes on to cite and unpack the entirety of the Apostles' Creed.
3. WE ARE LISTENING
Style: This is a contemporary song played in an up-tempo, alt-country style.
Song Info: This is one of many songs that we play that was produced by the people of Sojourn Church in Louisville Kentucky. It was written in 2006 by Jeremy Quillo and remains one of Sojourn's most popular songs. It is a perfect song to sing before the sermon. The refrain "We are listening to your word" says enough. We sing that we are gathered together to hear from our God and delight in his son Jesus.
4. HELP MY UNBELIEF
Style: This is another low-tempo song done in a contemporary and somewhat indie-rock kind of style.
Song Info: This song was originally composed by John Newton (also responsible for Amazing Grace) in the eighteenth century. It was rearranged by Clint Wells in 2005 and recorded by Red Mountain Band. The lyrics to this song are stunning. We place it after the sermon in order to help us respond to the gospel and prepare our hearts to receive Christ in communion. The song is a confession of sin and a confession of our need for God's grace. The song confesses rightly that we cannot even respond to God unless he helps us:
"I would but can’t repent,
though I endeavor oft;
This stony heart can ne’er relent
till Jesus makes it soft."
5. O LOVE THAT WILL NOT LET ME GO
Style: We will be singing a more contemporary version of this song arranged by Indelible Grace. It is up-tempo and joyful with a folk-rock feel.
Song Info: The lyrics to this hymn were written in the nineteenth century by Scottish minister and hymn writer George Matheson. Though Matheson wrote several hymns, this is the only one that still enjoys popularity today. Matheson wrote this hymn on the eve of his sister's wedding. Matheson had previously been engaged himself, but his engagement was ended because he was going blind. His bride-to-be decided that she could not live the rest of her life with a blind man and broke the engagement. After that time he was cared for by his sister. But he wrote this hymn at a time when his sister would be married and no longer able to be his primary care taker. Emotionally, Matheson looked to God himself as his care taker. He said that he wrote this hymn in the time frame of five minutes.
See you Sunday!